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Professor Sarah HibberdPhD

Stanley Hugh Badock Chair of Music

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  1. 2020
  2. Accepted/In press

    Music and the Sonorous Sublime in European Culture, 1680–1880

    Hibberd, S. (ed.) & Stanyon, M. (ed.), 2020, (Accepted/In press) Cambridge University Press.

    Research output: Book/ReportEdited book

  3. 2018
  4. Unpublished

    Divine transport at the Paris Opéra: From La Création du monde to Adam and Abel

    Hibberd, S., 1 Jun 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  5. Published

    Scenography, spéculomanie and spectacle: Pixérécourt’s La Citerne

    Hibberd, S., 2018, The Melodramatic Moment: Music and Theatrical Culture, 1790–1820. Hambridge, K. & Hicks, J. (eds.). University of Chicago Press

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  6. Published

    “Cockneys in a Fever”: Auber’s Gustave in London

    Hibberd, S., 2018, Grand Opera Outside Paris: Opera on the Move in Nineteenth-Centry Europe. Hesselager, J. (ed.). Routledge, (Ashgate Interdiscipinary Studies in Opera).

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  7. Published

    “Stranded in the present”: Temporal Expression in Robert le diable

    Hibberd, S., 2018, Image and Movement in Music Theatre. Brotbeck, R., Köpp, K., Möckli, L., Schaffer, A. & Schroedter, S. (eds.). Argus, (Interdisciplinary Studies around Grand Opera: Musikforschung der Hochschule der Künste Bern ).

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  8. 2017
  9. Unpublished

    Cherubini’s Elisa: Alpine Virtue During the Terror

    Hibberd, S., 8 Nov 2017, (Unpublished). 17 p.

    Research output: Contribution to conferencePaper

  10. Published

    'La Voix humaine: Dissecting Luigi Lablache'

    Hibberd, S., 3 Nov 2017, In : Laboratoire italien. 20, p. 1–18

    Research output: Contribution to journalArticle

  11. Published

    Good Vibrations: Frankenstein on the London Stage

    Hibberd, S., 2017, Sound Knowledge: Music and Science in London, 1789–1851. Davies, J. Q. & Lockhart, E. (eds.). University of Chicago Press, p. 175–202

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  12. Published

    Postlude

    Hibberd, S., 2017, In : Cambridge Opera Journal. 29, 1, p. 113–116 4 p.

    Research output: Contribution to journalArticle

  13. 2016
  14. Unpublished

    "L’épique en action": Fernand Cortez and the aesthetic of spectacle

    Hibberd, S., 3 Sep 2016, (Unpublished).

    Research output: Contribution to conferencePaper

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