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'Chateaubriand ou rien, Hugo et tout': contemplating the poet’s posterity

Research output: Contribution to journalArticle

Original languageEnglish
Pages (from-to)229-240
Number of pages12
Issue number3-4
Early online date21 Dec 2016
DateAccepted/In press - 18 Nov 2016
DateE-pub ahead of print - 21 Dec 2016
DatePublished (current) - Dec 2016


Victor Hugo’s vow as a teenager to become Chateaubriand ultimately surpassed even this audacious ambition. Today, Hugo casts an inescapable shadow across contemporary culture as nineteenth-century France’s most iconic writer, as recent political, pedagogical, and popular discussions indicate. This article explores some of these examples so as to confirm Hugo’s redoubtable cultural capital before asking: what did it actually mean in Hugo’s eyes to equal his childhood idol’s standing? By returning to Hugo’s own understanding of what it meant to become a ‘great man’, the clichés of patriarchal authority that so often surround his oeuvre can be contested in order to allow for a more probing understanding of both his work and his enduring influence. A closing overview of this special issue of Dix-Neuf situates the journal’s diverse contributions along this critical line of thinking as an introduction to the scholarship that Hugo’s work increasingly encourages in the twenty-first century.

    Research areas

  • Victor Hugo, reception theory

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    Rights statement: This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Taylor & Francis at . Please refer to any applicable terms of use of the publisher.

    Accepted author manuscript, 372 KB, PDF document


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