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Embodied Minstrelsy, Racialization and Redemption in Reggae

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Embodied Minstrelsy, Racialization and Redemption in Reggae. / Haynes, Jo.

In: European Journal of Cultural Studies, 23.05.2019.

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Haynes, Jo. / Embodied Minstrelsy, Racialization and Redemption in Reggae. In: European Journal of Cultural Studies. 2019.

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@article{b57d9c56bc244f47aa9fb494804eb6e1,
title = "Embodied Minstrelsy, Racialization and Redemption in Reggae",
abstract = "This article is a case study of a local reggae DJ (Derek) lauded for transgressing musical and ethnic boundaries and produced through discourses of racialized authenticity as flexible and heroic. While DJ Derek’s ethnically stylized performance could be construed as embodied minstrelsy, other aspects of his musical capital were equally significant in the localized context and were drawn into a wider dialogue of sustainability and collective belonging defined by Caribbean migrants. I argue that ambiguous cultural figures such as Derek have an organic, productive role within local music cultures, positioned at intergenerational moments in the process of identification and belonging for ethnically diverse audiences/producers and in this case where the cultural geography of music tastes are becoming embedded within a complex set of relations among local, national and transnational cultures. It is therefore analytically instructive to examine how racist, racializing and redemptive elements intersect to produce authentically syncretic music cultures and sustain transnational identifications and belonging.",
keywords = "authenticity, The Bristol Sound, representation, popular music, DJ Derek, cultural appropriation",
author = "Jo Haynes",
year = "2019",
month = "5",
day = "23",
doi = "10.1177/1367549419847111",
language = "English",
journal = "European Journal of Cultural Studies",
issn = "1367-5494",
publisher = "SAGE Publications Ltd",

}

RIS - suitable for import to EndNote

TY - JOUR

T1 - Embodied Minstrelsy, Racialization and Redemption in Reggae

AU - Haynes, Jo

PY - 2019/5/23

Y1 - 2019/5/23

N2 - This article is a case study of a local reggae DJ (Derek) lauded for transgressing musical and ethnic boundaries and produced through discourses of racialized authenticity as flexible and heroic. While DJ Derek’s ethnically stylized performance could be construed as embodied minstrelsy, other aspects of his musical capital were equally significant in the localized context and were drawn into a wider dialogue of sustainability and collective belonging defined by Caribbean migrants. I argue that ambiguous cultural figures such as Derek have an organic, productive role within local music cultures, positioned at intergenerational moments in the process of identification and belonging for ethnically diverse audiences/producers and in this case where the cultural geography of music tastes are becoming embedded within a complex set of relations among local, national and transnational cultures. It is therefore analytically instructive to examine how racist, racializing and redemptive elements intersect to produce authentically syncretic music cultures and sustain transnational identifications and belonging.

AB - This article is a case study of a local reggae DJ (Derek) lauded for transgressing musical and ethnic boundaries and produced through discourses of racialized authenticity as flexible and heroic. While DJ Derek’s ethnically stylized performance could be construed as embodied minstrelsy, other aspects of his musical capital were equally significant in the localized context and were drawn into a wider dialogue of sustainability and collective belonging defined by Caribbean migrants. I argue that ambiguous cultural figures such as Derek have an organic, productive role within local music cultures, positioned at intergenerational moments in the process of identification and belonging for ethnically diverse audiences/producers and in this case where the cultural geography of music tastes are becoming embedded within a complex set of relations among local, national and transnational cultures. It is therefore analytically instructive to examine how racist, racializing and redemptive elements intersect to produce authentically syncretic music cultures and sustain transnational identifications and belonging.

KW - authenticity

KW - The Bristol Sound

KW - representation

KW - popular music

KW - DJ Derek

KW - cultural appropriation

U2 - 10.1177/1367549419847111

DO - 10.1177/1367549419847111

M3 - Article

JO - European Journal of Cultural Studies

T2 - European Journal of Cultural Studies

JF - European Journal of Cultural Studies

SN - 1367-5494

ER -